Day 9 Prompt: Records
Day 9 Prompt: Records
Day 6 Prompt: Destroys
Day 5 Prompt: Processes
I am a proud member of the Women in Archaeology Podcast and Blog! We recently left the Archaeology Podcast Network to set out on our own and make new content. Check out all of our older podcasts on the WIA website and on iTunes. You can listen to the podcast on iTunes as well! Don’t forget to subscribe! Click Here to visit website and listen to the episode on the Women in Archaeology website.
We explore the concept of intentional or “utopian” or “communal” communities throughout North America. Intentional communities include the Shakers, the Harmony Society, The Oneida community, Brook Farm, the Moravians, the Kawah Colony, and Mormon towns.
We visit with Stacy Kozakavich, the author of a new book by University Press of Florida, The Archaeology of Utopian and Intentional Communities, and ask her about her inspiration for the book, the role intentional communities have taken in shaping North America, and why they continue to be important in society.
As a thank you to our listeners, we have included a discount link for the book, direct from the publisher! Follow this link and use code: WA18 at checkout.
I always wonder what I look like to hikers while I’m trying to find satellites on my Garmin GPS so that I can finally record a site.
The archaeology of Comb Ridge, a vast swath of land in Utah (it is currently part of Bears Ears National Monument), is absolutely amazing, with hundreds of rock art panels, dispersed habitation sites, granaries, and so on. However, hiking Comb Ridge in June is a terrible idea and a bunch of friends and I decided to venture out regardless. It was boiling hot, exposed, sandy–ugh. At least there’s rock art. A ridiculous amount of rock art. Viewing the Procession Panel definitely made up for any discomfort! It is thought that the 179 petroglyph figures may depict some kind of ceremonial gathering or migration story. But, as with most rock art, the interpretation is a bit up in the air. I had some trouble finding information about this specific panel; one website notes that it may date to the Late Basket Maker period (ca 450-750 AD), but it doesn’t provide any evidence to support that particular date.
*Please note: rock art is incredibly fragile. Do not touch rock art, spray-paint it, or vandalize it in any way. Not only is it ethically wrong, it is illegal (see blog post on ARPA).
I had the opportunity to explore the extensive Roman ruins of Salamis, which is considered one of the best archaeological sites on Cyprus, while traveling around North of the UN Buffer Zone. While wandering around the ruins, it is easy to imagine the bustling city it once was. Salamis became the ancient capital of Cyprus as far back as 11 BC by the Greeks and was subsequently occupied by a number of civilizations (i.e. Egyptians to Romans). Roman emperors Trajan and Hadrian commissioned some of the buildings; construction was conducted primarily after an earthquake in 76 AD. There are Romans baths, mosaics, an amphitheater etc. The city was destroyed by an invasion around 674 AD, forcing the occupants to the area around Famagusta/the southern half of Cyprus.
The site was looted constantly until 1952, when excavations by the Department of Antiquities began. Excavations were halted in the summer of 1974, when Turkish forces invaded Cyprus and subsequently occupied the area. Government officials of the Republic of Cyprus have long been concerned about the treatment of this archaeological site, since it is located in the Turkish Republic of Cyprus. Hopefully, UNESCO can declare Salamis a World Heritage Site someday. Archaeological sites tend not to fare well when it comes to war and politics.